Today has been a great day. Today I won a draw to attend an advance screening of The Cabin in the Woods at Vue Leicester Square, courtesy of Film4FrightFest. An email was waiting in my inbox with the good news, unfortunately you had to reply before 1pm to confirm your ticket and I only got around to checking my emails a couple of hours too late. Picture me close to tears. Thankfully, a pleading email did the trick and I did get to attend the screening, which is very lucky given that the room was completely full. So thank you FrightFest : this isn’t news but I love you.
I’ll try to be as non-spoilerific as possible in my review and will stay relatively vague as to what happens, but obviously if you wish to stay a virgin regarding this movie you may want to avoid reading any further. Just know that this movie is awesome and easily ranks in my top 10 of the best horror movies ever made. That may be the excitement speaking – the day has been a roller-coaster – but still : very good movie. Please go see it when it comes out. It’s a movie worth the theatre ticket ( says the guy who hasn’t paid to see the movie ).
Before getting to it, I am going to give you some quick background so you can have an idea of where I am coming from while reading my review. That might make my opinions clearer somehow. I am a huge Buffy fan ( for those of you who may wonder where that comes from, Joss Whedon and Drew Goddard, the two masterminds behind The Cabin in the Woods, both worked on Buffy the Vampire Slayer, the former as the show’s creator as well as a writer and director throughout the series seven seasons, the latter as a writer of some of the best episodes from the series’ final year ).
I have hardly ever been a fan of anything in my life, but I am a huge Buffy fan. There were SMG posters all over my bedroom. I collected the Inkworks trading cards, and the folders to put them in. Only last year I impersonated Buffy for a quick photo session in a small graveyard by a church in the middle of a lost English village. I have a bedbug prop from Tom Lenk’s show. Yeah, that kind of nut.
That said, I am not a Joss Whedon fanboy although I greatly admire the man. I loved Buffy, Angel and Firefly but disliked Doctor Horrible and didn’t care at all for Dollhouse. Whedon is a very intelligent artist who tackle challenging notions and vital topics with the hope to help change things in our often unfair and sometimes cruel society, and he is someone who shows incredible respect for his viewers – as opposed to someone like say, JJ Abrams who seems to create tv shows for the sole purpose of moving his career forward ( seriously, I will never forgive the man for letting Alias die a slow miserable mediodre death for three years after two truly amazing first seasons… that IS disrespect for the viewer, but who cares, it got him MI3, yay him *sarcasm* ).
I also happen to be a horror movie enthusiast. From Hammer movies to Alien, from something as incredible as The Haunting ( 1963 of course ) to something as poor as Catacombs ( THAT twist! ), from something as gory as the Saw series to the metafest of Scream, I thoroughly enjoy the genre. Except maybe Damned By Dawn, that one is shameful. I find horror movies entertaining and more often than not I find them challenging. They show you monsters, but most of the time they make you think about how human beings have actually become the true monsters. It’s a good lesson to learn and accept before we can hope to change things for the better.
So. After MUCH ADO, let’s talk about this.

Five friends leave town and head for a cousin’s retreat in the woods. Shit finds them. Nothing original here so far it would seem according to my description, but don’t be fooled and instead be ready for some mind-blowing action : « Shit finds them » never got THAT clever and THAT twisted.
The first thing I have to say regarding this movie is that it more than completely satisfied my needs as a Buffy/horror movie geek. Seriously, there are Buffy callbacks all over the place. I swear there is a moment when I was expecting the camera to turn around to reveal Rudolf Martin… ( you’ll understand when you see the movie ). I dare anyone who has seen Buffy to watch this movie without thinking once, twice, up to a bagazillion times about the Initiative. You will never watch « Primeval » ( Season 4 ) again after this. In fact, The Cabin in the Woods felt like Joss Whedon was so happy to finally have a decent budget to play with that he basically remade Buffy season 4 as a horror movie.
It’s actually funny if you think that season 4 is considered to be a very uneven Buffy season by fans and critics alike with the real problem being the handling of The Initiative plot, a military operation based under campus that never looked serious in the context of the show. It did not feel real in that world. Soldiers and researchers were acting and talking like buffoons, and it made the whole season quite muddy. Here in The Cabin in the Woods the « military underground » part of the movie ( not spoiling much here, there are many hints of this in the trailer ) is dealt with very seriously, the special effects are fantastic, and when the shit hits the fan in the last act, it feels VERY real, VERY scary, VERY beaucoup de crazy, and above all VERY entertaining.
There is also A LOT of meta. Although the characters ( good acting by the way, Kristen Connolly is perfect and the rest of the cast does a decent job ) are not at all self-aware, the movie itself is beating the Scream series to a pulp in regards to references to horror, although none of these references are actually acknowledged as such in the dialogue. There are obvious nods to horror landmarks like Hellraiser, Evil Dead, Cube and The japanese Ring/Grudge series, but at several points in the movie you will be hit by something like ten to thirty references IN THE SAME SHOT. What is even better in what is already heaven for a horror nerd is that in the middle of all this assimilation of the horror genre happening in this one movie, Joss Whedon and Drew Goddard still manage to create their own thing. It’s like they decided to include E-V-E-R-Y-T-H-I-N-G horror had ever done before and have the movie digest it all in order to rise above it. The Cabin in the Woods really is a re-invention of the genre, and in this re-invention they also create stunning monster designs which you will not forget anytime soon.
In the end this movie is not the comedy/parody of horror that you think it’s going to be after the first 30 minutes or by looking at the trailer. The moment it turns into real horror is so sudden it almost feels completely out of context for a few seconds, because you have been used to jokes and humour for quite a few scenes by then. That is before you realise the movie has finally started : the tone and humour weren’t there to parody horror, they were there to take your guard down while offsetting its own upcoming violence. By mixing the tones so dramatically in its second half hour, the movie helps you prepare for anything and everything. Which is a good thing, because anything and everything does happen.
If I had to sum this up in quite a short paragraph, I’d say this : The Cabin in the Woods is a horror movie that stands proudly on its own, that has its own very satisfying mythology. It acknowledges everything that has been done in horror before and throws this « everything » in a story that has its own direction. A very Joss Whedon direction. There isn’t a twist, there are many. This is the most entertaining movie I have seen in a while. This is a clever movie, a very clever movie, a great future horror classic that requires many, many viewings. Which means I will pay for my ticket when it comes out in the UK on April 13th.
Also, and I will conclude on this, when I already thought this movie was the best thing ever after ninety minutes and nearing its end, the ultimate horror reference unexpectedly showed up, and that’s when I knew I was in love with this movie. Possibly with Joss Whedon. After that, there was another Buffy moment – seriously I swear, they took the whole line from « The Gift » without changing a word – followed by a very pleasing misanthropic one.
Roll credits.
Got home.
Wrote this.
Please go and see this movie. And thank me for the advice.
Ok, so now that I have seen a movie that gets released next month, and hoping to ride on my good fortune, I have to ask… where is the draw for MDNA?